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7 Walkers Live at Howlin' Wolf on 2010-04-29

by 7 Walkers

Publication date: 2010-04-29 ( check for other copies)

Collection: 7Walkers

Band/Artist: 7 Walkers

Down On The Bayou II

A Benefit for the New Orleans Musicians Clinic

Howlin' Wolf

New Orleans, LA

04/29/2010

Source: Aud + SBD Matrix

SBD source: Yamaha M7CL > Edirol R-44 @ 24/48

AUD source: AKG Ck1x > Mk46 > c460b > Edirol R-44 @ 24/48

Location: ROC in FOH Cage/8ft/Dina/limiter = 1+2/3+4

DSP: SD > Wavelab (sych/mix/edit) > CDWave (tracking) > Wavelab (dither/re-sample) > TLH (flac8) > Foobar (Tagging)

Taped and seeded by Nick Burlison

Set I: (JoJo's Mardi Gras Band + Alfred "Uganda" Roberts)

01. Stag-o-lee

02. Bald Head

03. I've Got A Woman

04. Something On Your Mind *

05. She Walks Right In/Shake, Rattle & Roll *

* W/ Jimmy Carpenter on Sax, Christine Ohlman on Vocals

Set II: (Jojo Herman, John "Papa" Gros, George Porter, Jr., Russell Batiste, Jr., Jimmy Carpenter, Billy Iuso)

06. Intro

07. Stealin'

08. Right Place Wrong Time

09. Hey Pocky Way **

10. Big Chief **

11. Cabbage Alley ***

** W/ Big Chief Bo Dollis & Bo Dollis, Jr. on Vocals, Thomas McDowell on bass

*** W/ Big Chief Bo Dollis & Bo Dollis, Jr on Vocals, Thomas McDowell on bass, Ivan Neville on B3

Set III: (Widespread Panic)

12. Intro

13. Familiar Reality **** >

14. I Walk On Guilded Splinters ****

**** W/ Jimmy Carpenter on Sax

Set IV: (7 Walkers - Papa Mali, Bill Kreutzmann, Reed Mathis, Matt Hubbard + Anders Osborne)

15. Intro

16. Jam > Turn On Your Lovelight

Set V: (Jon Cleary, Dr. Jimbo Walsh, Russel Batiste, Jr.)

17. Intro

18. Tipitina

19. Lawdy Miss Clawdy

Set VI: (Gov't Mule + Russel Batiste, Jr.)

20. Intro/Tuning

21. 32/20 Blues

22. Breakin' Up Somebody's Home *****

***** W/ Jojo Herman on Piano

Set VII: (Jojo's Mardi Gras Band + Alfred "Uganda" Roberts)

23. Red Beans #

24. Jambalaya (On the Bayou) ##

25. Standing On Shaky Ground #

26. 25 Miles ###

27. Let The Good Times Roll ###

28. Ooh Poo Pah Doo ###

29. Get Out My Life Woman

30. Go To The Mardi Gras

# W/ Bonerama on horns

## W/ Bonerama on horns, Sherman Ewing on guitar/vocals

### W/ Bonerama on horns, Christine Olhman on vocals

Set VIII: (Jojo's Mardi Gras Band + Luther Dickinson)

?????

Additional Notes:

-FOH Board levels were killed for the first minute of track 4 and a constant squeal remains the rest of the set

-The last set was not recorded. Attempts to get the final set from the house system is still in progress. It will be seeded separately when acquired.

-There could be musicians on-stage not mentioned, if you remember please let me know as these guys deserve credit for volunteering their time for the benefit and great night of music!

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Please continue to help support New Orleans area musicians and donate if you have the means to.

http://www.nomaf.org

http://www.neworleansmusiciansclinic.org/

This is a great cause that not only assists current musicians but future musicians from New Orleans. Check out this site!

http://www.therootsofmusic.com/

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BACKGROUND:

Keyboardist JoJo Herman is a devoted fan of Dr. John and an adopted son of the New Orleans funk tradition. In October 2009

during Voodoo Fest Jojo produced the first Down on the Bayou at Howlin' Wolf as a "companion" concert to the benefit Dr. John

produced for the New Orleans Musicians' Clinic.

The proceeds from Down on the Bayou II will help sustain the New Orleans Musicians’ Clinic (NOMC), a program of the New Orleans

Musicians Assistance Foundation, (NOMAF) and their commitment to providing affordable, comprehensive health care to New Orleans’

most precious resource: our musicians musicians.

NOMC on NBC national news

http://www.msnbc.msn.com/id/3032619#32602236

The musicians clinic (est. in 1998) is the brainchild by Dr. Jack McConnell ( father of Phish keyboardist Page McConnell).

The NOMC became the first healthcare initiative of its kind in the United States, addressing the unmet medical needs of local

musicians, artists and their families. The NOMC strives to institute an agenda of wellness into the New Orleans’ musician patient population,

which in turn helps to keep the music and traditional artistry of the city alive.